Parece que a inspiração para grandes copys (ou “altos copys”??) está intrinsecamente ligado aos saltos da nossa copywritter. Para além de ficar gira que se farta, é de tirar o chapéu a quem desafia o intrépido Bairro Alto com este modelito azul.
Category Archives: Acessibilidade
Na WIZ Interactive estamos a recrutar um(a):
WIZARD
Com vontade e à vontade para trabalhar em:
> Flash AS3, bibliotecas 3D AS3, Adobe Air
> HTML, CSS e JavaScript
> edição básica de imagem em Photoshop e Illustrator
Bate certo contigo?
Conhece-nos em www.wiz.pt
Candidata-te em www.guidetothatparticulargalaxy.com/form/
Experience Designer Julie Meridian and Computer Scientist Tim Kukulski discuss the future of Adobe, multitouch, and showcase XD’s cutting-edge multitouch
Há cerca de uma década atrás, os motores de busca usavam apenas o conteúdo das páginas da web, não qualquer um dos chamados factores “off-page” como links que apontam para uma página da web. Naqueles dias, keywords rapidamente se tornaram numa área onde o qualquer um poderia encher o seu site de keywords irrelevantes sem que o visitante alguma vez visse essa keywords no conteudo do site. Porque a meta tag de keywords foi tão maltratada ao longo do tempo, o Google começou a desrespeitar a meta tag de Keywords.
[flash http://www.youtube.com/v/jK7IPbnmvVU&color1=0xb1b1b1&color2=0xcfcfcf&hl=en&feature=player_embedded&fs=1]
se juntarmos isto com isto:
Page-content
The content is one of the most important SEO criteria. Each page should have a good deal of textual content, which should always be unique and of high quality. Try to place your keywords with a density of 5-7 % in the visible content. Also be sure to use keywords in tags like <strong> and <em>. For every picture try to find a describing alt-attribut. For links use the title-attribute. For search engines this is content, too. Use the noscript-tag and noframes-tag to alternatively describe such content.
Temos a resposta para os sites em flash.
De destacar:
“People want to get to their email instantly, without wasting time waiting for their computers to boot and browsers to start up. They want their computers to always run as fast as when they first bought them. They want their data to be accessible to them wherever they are and not have to worry about losing their computer or forgetting to back up files. Even more importantly, they don’t want to spend hours configuring their computers to work with every new piece of hardware, or have to worry about constant software updates.”
full article in googleblog
[flash http://vimeo.com/moogaloop.swf?clip_id=1125637&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1 w=400 h=300 w=400 h=300 mode=0]
Omiri é um projecto que vive da dualidade antigo vs moderno.
Um músico e um vj partem das danças tradicionais e de instrumentos antigos e transformam-nos numa viagem audio-visual em que o moderno se funde com a tradição e esta se rejuvenesce, tornado-se viva e apta a ser vivida nos tempos de hoje.
O espectáculo OMIRI, explora simultâneamente duas vertentes: a criação de ambientes complexos dada pela sopreposição de camadas sonoras e visuais gravadas em tempo real e a improvisação em torno das mesmas.
Vasco Ribeiro Casais: Nyckelharpa, Gaita-de-Foles, Bouzouki, Flauta, Manipulação Sonora.
Tiago Pereira: Vj, Manipulação Visual e Sonora.
WEB DESIGNER (m/f)
Wiz Interactive
Perfil do candidato:
Criativo, Empenhado, Exigente, Observador.
Requisitos Técnicos Básicos: Adobe Flash 9, Adobe Photoshop, Adobe Illustrator.
Requisitos Preferenciais: ActionScript, Adobe After Effects, Adobe Premiere, HTML, CSS.
Oferta:
Sangue, Suor e lágrimas serão devidamente compensados.
Observações:
Localização: Parede
Apresentação de Portfólio online obrigatória.
Resposta a jobs@wiz.pt
The quick and dirty guidelines
If you want to dive right in and just need some direction, here’s the outline:
- Don’t waste your readers’ time — An email inbox is a busy place, you won’t get much attention.
- Permission matters — Not only do you need to have permission to email people, but it helps to remind them of how they gave you permission, as specifically as you can.
- Relevance trumps permission — Just having permission is not enough, the content you are sending must also be relevant.
- Make unsubscribing easy — There’s no point emailing people who are not interested.
- Image blocking is common #8212; You can’t rely on people actually seeing your images.
- Bring back tables — Structural tables are still often necessary for creating columns.
- Add online styles — Gmail removes anything else.
- Don’t forget your plain text version — You can make blocks of text more readable.
- Meet your legal obligations — For example, CAN-SPAM for US senders.
- Test, test, test — It’s the only way to be confident about your design working.
Read the full article in Campaign Monitor
Finally, a robot that “gets” us. Researchers at Toshiba in Japan have created a talking bot that can be used as a voice-activated universal remote in addition to formulating plots about terminating humans. The 5-pound, 11-inch-tall android is called ApriPoko, and is capable of learning how to control electronics by watching you and asking questions about your behavior. When you use an infrared device, the robot senses the signal and asks the user “What did you just do?” If you say something akin to “I turned on the TV,” it will commit the command to memory, and you can operate those functions by voice. Apparently, the little guy is still in the R&D stages, but there are plans to turn this technology into a consumer device